Gaziantep Turkey Art

The cobbled streets and cavernous spaces of the heritage are transformed into vibrant studios and showrooms. Twilight is reminiscent of early 20th century bunker rooms, revealing worn floor tiles and the faint glow of fluorescent tubes in the air. On a clear day, light sand tones reflect the golden sun, but the shades convey an inviting complexion. How did the city on the South Anatolian plain become a treasure chest full of fine mosaics and artifacts? In total, we own more than 100,000 works of art, from ceramics to sculptures, paintings, drawings and sculptures.

I feel emancipated because the opportunity to get insights and training will be available to all of us, not only artists but to everyone else in the world.

Now we have to teach people to fish, not just give them their fish, "says Yildirim, Save the Children's programme director in Turkey.

The next challenge, Yalcin said, is education and work to address the lack of access to education for the children of Gaziantep and other areas of the country. Syrian curriculum in Arabic was taught to children before they returned home, and education is a concern. Next year, all age groups will be integrated into Turkey's public school system. Travel supports Shireen Taweel's residency work as a coppersmith in Gaziantsep as well as her work in Turkey and abroad.

Learning engraving techniques is not the purpose of this exercise, as there are no guidelines for square copper sheets to follow, as three-dimensional shapes are certainly not a skill at this point. In the coming weeks we will be approaching the formation of dominant patterns, but until then straight lines are unlikely to matter much.

A composed, self-possessed temperament, coupled with the sense of rhythm and flow of a graceful dancer, is an advantage, as is the ability to execute smooth, fine lines that embrace the copper object. A continuous faucet requires a smooth and symmetrical shape, and a constant, steady flow must be present to ensure that the lines are evenly engraved. Circles can be quite painful, as the tap is quite firm, but to reach fine, narrow arcs, you have to learn to move with the flow, and perhaps become doubly articulated.

Despite its raw beauty, the significance of this find is that it preserves the nuances of daily life. The finds on display today cover a wide range of topics, including taps, water pipes and even water bottles. Moreover, a walk through the ancient city of Zeugma, where both residents and witnesses must have grown up, is a rare glimpse into the past.

In Gaziantep, the difference that artisanal practice brings to a community through skills - through sharing - is very obvious. As a craftsman, I imagine that the existence of the community is too important to be lost, to promote human needs. I went through the collection of well-preserved pieces and I felt that the value inherent in the craft was mine alone.

Similar to Pompeii, the art of decorating with mosaic patterns and their mosaic patterns flourished and flourished. I really acted like a child fascinated by technology, but also like a craftsman with a passion for crafts.

Gaziantep has a thriving textile industry and is home to pistachios, and its food is said to be so good that people only fly in from Istanbul for lunch. To put this into perspective, Gaziantep has less than half of Istanbul's food costs and there is a need for unskilled labour. Refugees usually stay in southern Turkey, close to their homeland, because they have a common history and because there is a need for food and shelter, as well as a sense of community. Syrians forget work permits when they are offered jobs, but both sides prefer the informal market, because employers do not pay social security and workers do not withhold benefits.

Every morning, one of the craftsmen brings out a tray of tea and we sit down for a few minutes. Salman, the chief coppersmith, appears somewhere behind the lathe to greet us, and he is a young man in his mid-20s.

As you can see from the photos of the archaeological site, the mosaic art was used to decorate the floors of the villa. On the floor of an octagonal pool in its corridor we find physical representations of God and the Euphrates. The clothes look like the flowing water of the Euphrates, and plants on both sides look like plants found on the local riverbanks.

To extract the mosaic patterns, the archaeologists covered them with glue before hammering a layer of gauze over thousands of tiny tiles to keep them in place.

The turner, which is located in a dark corner of the room, is the focus for the professional craftsmen in the workshop's training school who engrave the objects. In the corner, hidden behind an older craftsman, an old radio that charges the studio functions as a recording studio.

More About Gaziantep

More About Gaziantep